{"id":1269,"date":"2026-09-21T23:37:22","date_gmt":"2026-09-21T23:37:22","guid":{"rendered":"https:\/\/ivomuller.com\/onemillionwords\/?p=1269"},"modified":"2026-09-21T23:51:10","modified_gmt":"2026-09-21T23:51:10","slug":"edinburgh-festival-fringe-review-from-the-north","status":"publish","type":"post","link":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/2026\/09\/21\/edinburgh-festival-fringe-review-from-the-north\/","title":{"rendered":"Edinburgh Festival Fringe Review \/ From The North"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1269\" class=\"elementor elementor-1269\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-72301a9 e-flex e-con-boxed e-con e-parent\" data-id=\"72301a9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7fde94ff elementor-widget elementor-widget-text-editor\" data-id=\"7fde94ff\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<h5 class=\"wp-block-heading\"><a href=\"https:\/\/www.fromthenorthculture.co.uk\/2026\/08\/edinburgh-festival-fringe-2026-one.html\">Fringe 2026 &#8211; One Million Words<\/a><\/h5>\n\n<p class=\"wp-block-paragraph\">\u2b50\u2b50\u2b50\u2b50<br \/><span style=\"color: #000000;\">18th August\u00a0by\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"http:\/\/www.blogger.com\/profile\/05539046650350195990\">Anne-Louise Fortune<\/a><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><em>One Million Words<\/em>, a part of the S\u00e3o Paulo showcase at the 2026 Edinburgh Festival Fringe, is a one-person show exploring some of the writings of Rainer Marie Rilke, an Austrian poet of the late nineteenth and early twentieth century.\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td class=\"has-text-align-center\" data-align=\"center\"><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgEtQYX4sKBQHPY1YWVWNJm5CrsRXggSonCgYaXPU00khIwDZAYYOL2Ugl-J2LvF-UxrR1VnsgN0YK0rbj-nAUvcF7hXZvo47i4rr5CHrfAkUrF5eaXzYvsV8Y5otX0dkXHk9119QwmICDXJ3Jw4IqGpyDkEv_K_IrEjA6o1j_H1S0BpSg6govn6296EkH9\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgEtQYX4sKBQHPY1YWVWNJm5CrsRXggSonCgYaXPU00khIwDZAYYOL2Ugl-J2LvF-UxrR1VnsgN0YK0rbj-nAUvcF7hXZvo47i4rr5CHrfAkUrF5eaXzYvsV8Y5otX0dkXHk9119QwmICDXJ3Jw4IqGpyDkEv_K_IrEjA6o1j_H1S0BpSg6govn6296EkH9=w640-h426\" alt=\"\" width=\"640\" height=\"426\" \/><\/a><\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"has-text-align-center\" data-align=\"center\"><span style=\"color: #000000;\"><em>Ivo\u00a0M\u00fcller in One Million Words. Photo: Carol Gherardi<\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\">Ivo M\u00fcller opens with some moments of repetitive movement. It sets the tone for the whole show &#8211; words, phrases, ideas, movements are repeated and built upon to create a hypnotising rhythm from Rilke&#8217;s words.\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\">M\u00fcller then immediately breaks the fourth wall, breaking character to introduce themselves, and the show. This is a trend we&#8217;ve noticed at this year&#8217;s Fringe &#8211; with artists obliterating the artificial barrier between creative and audience, and giving a background to their work. In an era when work can seem to just appear on our stages, screen and social media accounts, this is an interesting development.<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\">Textual intent affirmed, M\u00fcller returns to the show, and takes us through some of Rilke\u2019s letters. The language, in translation from the original, is poetic and fluid. It speaks of love, and the love of art, and the love of making art. Rilke was predominantly a poet and playwright, but what comes through here is his appreciation for art in mediums other than the ones he was working in. It gave him an understanding of how art is constructed, and how different artists attempted to create meaning.\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\">Of course, it was useful for Rilke that he was present when many now great artists were developing their practice. It helped that he lived in a time when the arts were seen as a valid pursuit, although questions of class need to be interrogated to a greater extent than they are here. Rilke worked as Rodin&#8217;s secretary, a role which gave him access to the sculptor\u2019s inner thoughts, as well as providing him a steady income to support his own creative growth.\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><strong>M\u00fcller\u2019s performance is terrific. There&#8217;s a conversation in progress here, with M\u00fcller not just performing Rilke&#8217;s words, but structuring them to try to discover meaning. Melodic, lyrical, and poetic, for newcomers to Rilke this is a fascinating introduction. For aficionados, it&#8217;s an opportunity to bask in the beauty of Rilke&#8217;s words.<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"wp-block-paragraph\"><span style=\"color: #000000;\"><em><a style=\"color: #000000;\" href=\"https:\/\/www.edfringe.com\/tickets\/whats-on\/one-million-words\" target=\"_blank\" rel=\"noopener\">One Million Words<\/a><\/em> continues in the Jack Dome at Pleasance Dome (Bristo Square), daily at 12:00 (12 noon) until August 31st (not 18th, not 25th)<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"wp-block-paragraph\">\u00a0<\/p>\n\n<p class=\"wp-block-paragraph\">\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Fringe 2026 &#8211; One Million Words \u2b50\u2b50\u2b50\u2b5018th August\u00a0by\u00a0Anne-Louise Fortune One Million Words, a part of the S\u00e3o Paulo showcase at the 2026 Edinburgh Festival Fringe, is a one-person show exploring some of the writings of Rainer Marie Rilke, an Austrian poet of the late nineteenth and early twentieth century.\u00a0 Ivo\u00a0M\u00fcller in One Million Words. Photo: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"advanced_seo_description":"Read professional reviews of One Million Words \u2013 Rilke, Ivo M\u00fcller\u2019s solo theatre show inspired by Rainer Maria Rilke, at the Edinburgh Fringe.","jetpack_seo_html_title":"Edinburgh Fringe Reviews | One Million Words","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[29,30],"tags":[34,38,37,36,35,33],"class_list":["post-1269","post","type-post","status-publish","format-standard","hentry","category-blog","category-reviews","tag-edinburgh-fringe-2026","tag-fringe-reviews","tag-ivo-muller","tag-one-million-words-rilke","tag-rilke","tag-theatre-reviews"],"acf":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/posts\/1269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/comments?post=1269"}],"version-history":[{"count":11,"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/posts\/1269\/revisions"}],"predecessor-version":[{"id":1282,"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/posts\/1269\/revisions\/1282"}],"wp:attachment":[{"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/media?parent=1269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/categories?post=1269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivomuller.com\/onemillionwords\/index.php\/wp-json\/wp\/v2\/tags?post=1269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}